Broke into Jean Barlow’s bedroom when you were fourteen and she and her husband were on summer vacation. You looked at and touched all her frilly, silky underthings. Inhaled her scent when you brought them to your nose.

Jean Barlow. You had fantasies that entire summer. You were going to fucking kill her husband, a Poindexter-looking shit. She was too good for him. So you were going to kill him and she was going to thank you and she was going marry you and forget about Poindexter.

Jean Barlow. Twenty years ago.

She still looks good at forty.

Still got that Poindexter-looking shit of a husband, even though you swear to Christ that she looks at you the way that you’ve always looked at her. Her eyes say, “Do it.” Her body says, “Take it.”

She’s all you can think about anymore.

One night, you climb in through her window, just like that summer when you were fourteen, and you wait.

And you wait.

Finally, you hear a car door shut, followed by another. You hear the front door of the house open up.

Downstairs, you can hear them.

They’re arguing. Poindexter has a nasally voice. Just as you’d imagined. Jean, however, has there ever been a woman blessed with a more angelic tone? Even when she’s agitated, like now, she sounds so melodic.

“Fuck that,” Poindexter says.

The argument gets progressively heated. Their voices grow closer, louder. Something smacks the wall just outside the bedroom. Is he hitting her? You hear Jean cry out and you’re sure of it now.

It’s time to move, you tell yourself.

The door is flung open just as you move towards it. Catches you in the face, busts your nose. Warm blood pours outward, spilling into your eyes, downward into your mouth. You drop the gun that you were going to use and he’s there, in the doorway.

Jean is backing into the room. The door slams shut. They haven’t switched the light on yet and don’t see you. Poindexter’s standing over Jean, who’s on the bed, and he’s raising his belt. Down and again and again. Each time the leather connects with her skin, she begs him to stop.

You tackle him before he can stripe Jean’s perfect skin with any more welts. Take him to the carpet by surprise. You hear his head connect with the nightstand, toppling it, on your way down.

You feel his face, his cheek getting softer as you realize that you’re not using your fists any longer but instead a blunt instrument. The metal lamp that once sat on the overturned nightstand.

Jean’s yours now. You know she will understand that you did this so that she could be free of this bastard. So that you could be together.

Gunfire and the slug splits your chest. Your body crashes to the floor, feels like a mountain falling.

 

 

About Christopher Grant

Christopher Grant is a crime writer and the editor of A Twist Of Noir.

Tagged

  • http://www.facebook.com/profile.php?id=547377830 Paul D Brazill

    A perfect example of hardboiled flash fiction.

  • Chris Rhatigan

    Grant is bringing it! This is as good as it gets.

  • PATTI ABBOTT

    You really nailed the POV. Great piece.

  • Ryan Sayles

    She’s not very thankful, and that’s the problem with the world today. Great piece, love the narrator.

  • http://www.facebook.com/profile.php?id=699341656 Julia Madeleine

    Ah, yes, that was great stuff. Wicked intensity. Loved it :)

  • Richard Godwin

    You can’t get any tighter than this.
    Great story.

  • Anonymous

    Absolutely perfect, sir!

  • http://at-the-bijou.blogspot.com/ ABSOLUTELY*KATE

    Lamp puts out the light on Poindexter and a mountain of hopes fall with the mountain. Tight, taut and moved me up the stairs to hide in the dark with the action, Mr Grant. Dug the voice/tense. Bravo.

    ~ Absolutely*Kate
    AT THE BIJOU and beyond

  • KATE PILARCIK

    Lamp puts out the light on Poindexter and a mountain of hopes fall with the mountain. Tight, taut and moved me up the stairs to hide in the dark with the action, Mr Grant. Dug the voice/tense. Bravo.

    ~ Absolutely*Kate
    AT THE BIJOU and beyond

  • Katherine Tomlinson

    Tight. Taut. Terrfic. Great voice. 

  • Chuck Caruso

    Now that’s some tight flash fiction!  The present tense and second-person can be tough to pull off, but Grant uses them to perfection in this polished gem of hard-boiled nastiness.

  • http://www.facebook.com/profile.php?id=720312736 Joe Clifford

    They never appreciate all you do for them… Love the set-up, killer last line. 

  • MEG5486

    Thanks, Joe, Chuck, Katherine, Kate, Sabrina, Richard, Julia, Ryan, Patti, Chris, and Paul. Glad you all enjoyed Mountain Falling. I had a blast writing it and decided on second-person as a bit of a challenge.

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